What is it called when a movie starts at the end, and why do we still watch it even though we already know the ending?

What is it called when a movie starts at the end, and why do we still watch it even though we already know the ending?

The narrative technique of starting a movie at the end, often referred to as in medias res or a non-linear narrative, has been a staple in storytelling for decades. This approach, where the story begins at its climax or conclusion and then unfolds through flashbacks or parallel timelines, challenges traditional storytelling norms and engages audiences in unique ways. But why does this method captivate us, even when we already know the outcome? Let’s explore this phenomenon from multiple perspectives.

1. The Psychological Appeal of Curiosity

Humans are naturally curious beings. When a movie starts at the end, it immediately piques our interest. We are drawn into the story because we want to understand how the characters arrived at that point. This curiosity is a powerful motivator, keeping us engaged as the narrative unravels. For example, in Pulp Fiction (1994), the film opens with a diner robbery, but the context is only revealed much later. This deliberate withholding of information creates a sense of mystery that compels viewers to keep watching.

2. The Art of Foreshadowing

Starting a movie at the end allows filmmakers to use foreshadowing effectively. By showing the climax first, they can drop subtle hints and clues throughout the story that gain significance upon a second viewing. This technique rewards attentive viewers and encourages repeat viewings. Christopher Nolan’s Memento (2000) is a prime example, where the fragmented timeline forces the audience to piece together the story, making each revelation more impactful.

3. Emotional Resonance

Knowing the ending from the start can create a profound emotional impact. When we see the characters’ fates early on, we become more invested in their journeys. This approach allows us to focus on the why rather than the what. For instance, in Titanic (1997), the opening scenes reveal the ship’s tragic fate, but the emotional core lies in the love story between Jack and Rose. The inevitability of the ending heightens the poignancy of their relationship.

4. Subverting Expectations

Starting a movie at the end can also be a tool for subverting audience expectations. By presenting the climax first, filmmakers can mislead viewers into making assumptions about the story, only to challenge those assumptions later. This technique keeps the narrative fresh and unpredictable. The Usual Suspects (1995) masterfully employs this strategy, with its shocking twist ending recontextualizing everything that came before.

5. Structural Innovation

Non-linear storytelling allows filmmakers to experiment with structure, breaking away from the traditional three-act format. This innovation can make a movie feel more dynamic and engaging. Quentin Tarantino’s Kill Bill (2003-2004) uses a non-linear timeline to build tension and highlight key moments in the protagonist’s journey. The fragmented structure mirrors the protagonist’s fractured psyche, adding depth to the narrative.

6. The Role of Memory and Perception

Starting a movie at the end often mimics the way human memory works—fragmented, non-linear, and subjective. This approach can make the story feel more personal and relatable. Eternal Sunshine of the Spotless Mind (2004) uses this technique to explore themes of memory and love, with the narrative unfolding in a way that reflects the characters’ emotional states.

7. Cultural and Historical Context

The use of non-linear narratives has deep roots in literature and theater, dating back to ancient epics like Homer’s Odyssey. In cinema, this technique gained prominence in the mid-20th century with the rise of modernist and postmodernist storytelling. Films like Citizen Kane (1941) and Rashomon (1950) pioneered the use of fragmented timelines, influencing generations of filmmakers.

8. The Role of Technology

Advancements in editing technology have made it easier for filmmakers to experiment with non-linear storytelling. Digital editing tools allow for seamless transitions between timelines, enabling more complex narratives. This technological evolution has expanded the possibilities for storytelling, as seen in films like Inception (2010), where multiple timelines intersect in intricate ways.

9. Audience Engagement and Participation

Starting a movie at the end often requires active participation from the audience. Viewers must piece together the narrative, making them co-creators of the story. This interactive element can make the viewing experience more immersive and rewarding. The Prestige (2006) is a notable example, where the audience is constantly challenged to unravel the mystery alongside the characters.

10. The Enduring Appeal of Mystery

Ultimately, the appeal of starting a movie at the end lies in its ability to create and sustain mystery. Even when we know the outcome, the journey to that point remains unpredictable and compelling. This technique taps into our innate desire for discovery, ensuring that the story stays with us long after the credits roll.


Q: What is the difference between in medias res and a non-linear narrative?
A: In medias res refers to starting a story in the middle of the action, often without context, while a non-linear narrative involves telling the story out of chronological order, using techniques like flashbacks or parallel timelines.

Q: Can starting a movie at the end spoil the story?
A: Not necessarily. While it reveals the outcome, it often deepens the emotional and thematic impact of the story, making the journey more meaningful.

Q: What are some other famous movies that start at the end?
A: Examples include Fight Club (1999), American Beauty (1999), and 500 Days of Summer (2009).

Q: Why do filmmakers use non-linear storytelling?
A: It allows for creative freedom, enhances emotional resonance, and engages the audience in unique ways, making the narrative more memorable.

Q: Is non-linear storytelling suitable for all genres?
A: While it is commonly used in thrillers, dramas, and mysteries, it can be adapted to any genre, depending on the filmmaker’s vision and the story’s requirements.